Tuesday, August 12, 2008
Poetry as Word and Act
Monday, August 11, 2008
Midterm Exam Announcement
Dear students,
The exam will cover ancient Greek art to Brillo Box. We will still follow the batch 1 and 2 system. I will also follow the official schedule. That’s all.
XXXXX
Miseducated Mentor
Notes on Warhol and His Brillo Boxes
“Why was it a work of art when the objects which resemble it exactly, at least under perceptual criteria, are mere things, or, at best, mere artifacts? But even if artifacts, the parallel between them and what Warhol made were exact. Plato could not discriminate between them as he could between pictures of beds and beds. In fact, the Warhol boxes were pretty good pieces of carpentry.”
Andy Warhol was expert at self-promotion. Obsessed with celebrities, Warhol loved jet-setting and partying. Yet he said, ‘I think it would be terrific if everyone was alike’, and coined the cynical slogan that ‘everyone has their fifteen minutes of fame’. Warhol emerged in the ‘Pop Art’ movement of the 1960s, a movement tied into fashion, popular culture, and politics.
Saturday, August 9, 2008
Notes on Richard Wagner
Friday, August 8, 2008
Notes on the Garden of Versailles
Thursday, August 7, 2008
A Note on Rhetoric
Rhetoric, which has been since classical times, has been the study of the persuasive and expressive resources of language: the techniques of language and thought that can be used to construct effective discourses. Aristotle separated rhetoric form poetics, treating rhetoric as the art of persuasion and poetics as the art of imitation or representation.
Culler, Jonathan. Literary Theory: A Very Short Introduction.Oxford U Press: New York , 1997.
Culler, Jonathan. Literary Theory: A Very Short Introduction.
A Note on Rococo Art
Rococo is a style of 18th century French art and interior design. Rococo style rooms were designed as total works of art with elegant and ornate furniture, small sculptures, ornamental mirrors, and tapestry complementing architecture, reliefs, and wall paintings. The word Rococo is seen as a combination of the French rocaille, or shell, and the Italian barocco, or Baroque style. Due to Rococo love of shell-like curves and focus on decorative arts, some critics used the term to derogatively imply that the style was frivolous or merely fashion; interestingly, when the term was first used in English in about 1836, it was a colloquialism meaning "old-fashioned". However, since the mid 19th century, the term has been accepted by art historians. While there is still some debate about the historical significance of the style to art in general, Rococo is now widely recognized as a major period in the development of European art.
wikipedia.com
wikipedia.com
Notes on Baroque Art
The origins of the word baroque are not clear. It may have been derived from the Portuguese barocco or the Spanish barueco to indicate an irregularly shaped pearl. The word itself does not accurately define or even approximate the meaning of the style to which it refers. However, by the end of the 18th century baroque had entered the terminology of art criticism as an epithet leveled against 17th-century art, which many later critics regularly dismissed as too bizarre or strange to merit serious study.
Wednesday, August 6, 2008
Notes on Hermeneutics
What determines meaning? Sometimes we say that the meaning of an utterance is what someone means by it, as though the intention of a speaker determined meaning. Sometimes we say meaning in text as if meaning were the product of the language itself. Sometimes we say context is what determines meaning: to know what this particular utterance means, you have to look at the circumstances or the historical context in which it figures. Some critics claim that the meaning of text is the experience of the reader, intention, text, context, reader—what determines meaning?
Message from the Sick Miseducated
The following students from my 3:00 to 4:30 pm class are exempted from their humanities 1 midterm examination:
Monday, August 4, 2008
Midterm Paper
Write a paper on the movie, ‘Princess Mononoke.’ You can choose any of the theories or approaches we have discussed in class. I have decided not to set a minimum number of words; however, make sure that your paper is comprehensive. The same format will be used: one-inch margins, 1.5 line spacing, 11 font size and Arial font type. Please do not forget the title of your written discussion. Also cite your sources. Your paper is due on August 18, 2008 .
Notes on Gothic Art
Kirby I: A Book of Hours |
A Note on the Hyper-Protected Principle
Hyper-protected cooperative principle is a basic convention that makes possible the interpretation of literature: the assumption that difficulties, apparent nonsense, digressions, and irrelevancies have a relevant function.
Culler, Jonathan. Literary Theory: A Very Short Introduction. Oxford U Press: New York, 1997.
Notes on Poetics and Hermeneutics
Here there is a basic distinction between two kinds of projects: one, modeled on linguistics, takes meanings as what have to be accounted for and tries to work out how they are possible. The other, by contrasts, starts with forms and seeks to interpret them, tot ell us what they really mean. Poetics starts with attested meanings or effects and ask how they are achieved. Hermeneutics, on the other hand, starts with texts and asks what they mean, seeking to discover new and better interpretations. Hermeneutic models come from the fields of law and religion, where people seek to interpret an authoritative legal or sacred text in order to decide how to act.
Notes on the Ancient Greek Tragedy
Antigone Leads Oedipus out of Thebes
by Charles Francois Jalabeat
Ancient discussions of tragedy introduced one of the most persistent of all theories of art, the imitation theory: art is an imitation of nature or of human life and action. Classical tragedy began in Athens in the sixth century BC as part of spring celebrations of Dionysus, god of the grape harvest, dancing, and drinking.
Notes on Ancient Greek Architecture
By the end of the 7th century BC, two major architectural styles, or orders, emerged that dominated Greek architecture for centuries: Doric and Ionic. The Doric order developed on the Greek mainland and in southern Italy and Sicily, while the Ionic order developed a little later than the Doric order, in Ionia and on some of the Greek islands. In addition to Doric and Ionic, a third order, the Aeolic, developed in northwestern Asia Minor, but died out by the end of the Archaic period, and a fourth, the Corinthian, emerged late in the 5th century BC.
Saturday, August 2, 2008
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